Lgbt filme 2020 graz

The historical special Sehnsucht — City and Desire is presented by Ö1. Following the lead of Graz Year of Culture , which in these days will be discussing visions of the urban future and ideas for the city of tomorrow, Sehnsucht — City and Desire inquires into mutual historical foundations, and searches for possible clues and answers on the movie screen.

The historical special offers the rare chance to see works from the Austrian film archives, some of which have been specially digitized and restored. Faudon, Max Vrecer, AT Canale Grande D: Friederike Pezold, AT Historical analogies between city and film abound. For example, between the flow of images through the film projector and the segmented view of building fronts swiftly passing by that passengers catch through the window of the city railway.

Also, the aspect of anonymity seems equally appreciated by city dwellers and cinema goers alike: Both enjoy being alone, together. Furthermore, movie theaters and cinemas entice with distraction and pleasure — a promise of happiness that they share with the diverse stimulants of urban habitats.

Cinema, film, and city — all symbolize fantasies and desires that are constantly in danger of topplin, all offer the chance to get lost in the enchanting scintillating lights. Behind them: a reality that is also, at times, dismal. These intersections are the starting point for numerous confrontations with the congenialities of city and film — in this case, the Austrian ones.

Sehnsucht — City and Desire tells of strollers and city dwellers. Of those who moved from the provinces to the city to start a new life. Of those who become disappointed when this very promise of happiness becomes their downfall in the moloch of the metropolis. The very question of a worthwhile way of living, is also ultimately posed by the young adults in two works by Barbara Albert: Sonnenflecken AT and her cult film Nordrand AT , which shortly before the turn of the millennium, exemplarily represents the emergence mounted by a new generation of Austrian filmmakers.

Already a year before Nordrand, director Michael Glawogger was drawn to the Megacities AT of our planet for his iconic documentary. A lot of political debates were influenced by the buzzword globalization back then, which also linked regional challenges and geopolitical issues.

The recently deceased artist and filmmaker Gustav Deutsch thwarts these official recordings made for the public broadcasting service. Meanwhile, in , Rene Brueger asked young people in Styria about their desires for Losgelassen — Jugend in Graz. The film program for Sehnsucht — City and Desire also shows sites where a little happiness resides.

Whereas the legendary ORF television producer Bernhard Frankfurter followed traveling urbanites to the northern Adriatic in the s and s Wie Sand am Meer — Familiennotizen aus Urlaub und Alltag , AT — symbolic of summertime distraction and a brief respite from the workaday world.

The city is considered a site of densification and also a space to pass through: a reference to mobility and diversity as core features of urban environments.

Lgbt-filme 2020: die besten filme für deinen filmabend in graz

Born in Linz in as Alexander Hackenschmied, Hammid ultimately made his way first to Prague, and then to New York. Rarities and hitherto rarely screened works, such as the quaint advertising clip Magic Graz AT by the recently deceased Styrian film director Curt M. The program also includes two filmmakers Sasha Pirker and Lotte Schreiber who in their films frequently follow the line of thought that the city is always two things: the physical, built architectural space, as well as a mentality made up of perceptions, life styles, and ideologies — that is, the city as society.

Supplementing the historical special, SYNEMA — Gesellschaft für Film und Medien is presenting four film programs under the title Displaced Persons — Keine Heimat, nirgendwo! With a view to current events, the program is meant to recall historical migration movements with films thematizing the lives of so-called displaced persons in camps, and works made by emigrated filmmakers, such as Peter Lorre, Fred Zinnemann, Alexander Hammid, Terence Fisher, and Jonas Mekas.

Diagonale Festival of Austrian Film March 18 - 23, , Graz. Facebook Twitter Vimeo Instagram — Deutsch. Historical Special Sehnsucht — City and Desire.